That's a big part of what made playing through the superb Sayonara Wild Hearts feel so special. I'm a lesbian, and as much as I love the sound of some Gaga or Adele, it's rare for any of those pop artists to set my hopeless romantic side alight with their tracks. Much of that comes down to the fact that romance so often plays a core role in pop music lyricism, and so often those romantic lyrics are explicitly written to be from a straight perspective. Stream it on Spotify if you don’t believe me.As much as I love the sound of pop music, a lot of pop artists never really connected with me in a meaningful way when I was growing up. Your only choice is to retry and improve, and the game makes these re-treads worthwhile by accompanying the action with a pop soundtrack that’s an absolute pleasure. It’s just so moreish miss those coveted gold ranks on each stage and it’s impossible to settle for just silver – or even worse, the lowly bronze. The game is always playing with new visual variety, without overcomplicating the actual way you play. It reminds me most of Tetris Effect, last year’s incredible musical take on the block-smashing classic. Then you’re atop the back of a deer, hurtling through a block-colour forest. Then you’re racing through neon streets on the back of a motorcycle in a high-speed chase. In one stage you’re skating, in another you’re engaging in fisticuffs. Instead, Simogo manages to surprise and delight with each new stage. You’re not restrained to a single structure or formula this is not a K-pop Guitar Hero, nor merely a hand-held dance mat. But Sayonara Wild Hearts eschews a lot of the rigid familiarity of that genre at the same time. If you had to label it, this would be a rhythm action game – boil it down and it’s essentially a chase for high scores set against beautiful backdrops, punching stylised enemies and swerving to catch neon hearts in high-speed chases.
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